Loan of the works from the IAC Collection, Villeurbanne/Rhône-Alpes:
Tiphaine Calmettes, Cartographie d’un possible repas, 2018-2020
Philippe Favier, 11 estampes de la série Capitaine Coucou, 1985
Marie Preston, La veine / la Borne, 2014
Jean-Louis Schoellkopf, Nourritures, 1993
Tiphaine Calmettes, Cartographie d’un possible repas, 2018-2020
Philippe Favier, 11 estampes de la série Capitaine Coucou, 1985
Marie Preston, La veine / la Borne, 2014
Jean-Louis Schoellkopf, Nourritures, 1993
Et tout devint régal (And everything became a treat), 05/04/2025 to 19/07/2025, Centre d'art et de rencontres Curiox, Ugine, France
Through installations, sculptures and conceptual works, Et tout devint régal highlights the gestures, transformation processes and objects that shape our daily lives.
The analogy between gustatory pleasure and other pleasures - be they visual, intellectual, sensitive, etc. - leaves open the possibilities of interpretation. - leaves open the possibilities of interpretation.
The works of Nicolas Boulard, Tiphaine Calmettes, Philippe Favier, Marie Preston and Jean-Louis Schoellkopf invite us to reflect on the place of food in our contemporary society. They question exchange, sharing, the place of craftsmanship in creation and dreamlike narration, as well as notions of process and production rules. These works lead us to rediscover ancestral gestures and everyday objects, metamorphosed through the prism of contemporary creation.
Through installations, sculptures and conceptual works, Et tout devint régal highlights the gestures, transformation processes and objects that shape our daily lives.
The analogy between gustatory pleasure and other pleasures - be they visual, intellectual, sensitive, etc. - leaves open the possibilities of interpretation. - leaves open the possibilities of interpretation.
The works of Nicolas Boulard, Tiphaine Calmettes, Philippe Favier, Marie Preston and Jean-Louis Schoellkopf invite us to reflect on the place of food in our contemporary society. They question exchange, sharing, the place of craftsmanship in creation and dreamlike narration, as well as notions of process and production rules. These works lead us to rediscover ancestral gestures and everyday objects, metamorphosed through the prism of contemporary creation.
