The artists showed an imaginary landscape, leaving free rein to the unconscious of the visitor : Delphine Coindet used computer processing to retranscribe intuitive scribbling, Elmar Trenkwalder showed a utopian re-examination of vegetation using lead pencil and Pierre Malphettes reformulated nature using industrial material.
Paysages artificiels
Œuvres de la Collection IAC, Rhône-Alpes
from to
Palais Delphinal Saint-Donat-sur-l’Herbasse
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Elmar Trenkwalder, Sans titre, 1996
Delphine Coindet, 1x1x1, 2005
View of the exhibition Paysages artificiels, 24 April – 13 June 2010, Palais Delphinal, Saint-Donat-sur-l’Herbasse/Drôme.
© Blaise Adilon