Adélaïde Feriot constructs her work based on notions of time and perception, and their corollaries: impact and behaviour, the mechanism of vision, and proxemics. Since 2010, she has produced Tableaux Vivants [Living Pictures], real images in the making. They dilate time and rely on a protocol that detains them and enables them to reappear.
Wax, ceramics, and transfers are all means that she uses to fix objects and images, in her search for tactile and temporal phenomena. For Angle Art Contemporain, she questions the idea of timelessness, implied by the title Éternelle Jeunesse [Eternal Youth].
Wax, ceramics, and transfers are all means that she uses to fix objects and images, in her search for tactile and temporal phenomena. For Angle Art Contemporain, she questions the idea of timelessness, implied by the title Éternelle Jeunesse [Eternal Youth].
Née en 1985, Adelaïde Feriot vit et travaille à Paris.
Diplômée de l’école nationale supérieure des beaux-arts de Lyon en 2010.
Diplômée de l’école nationale supérieure des beaux-arts de Lyon en 2010.
