Loan of the work from the IAC Collection, Villeurbanne/Rhône-Alpes :
Jean-Jacques Rullier, 150 Objets pour couper, 1989
Jean-Jacques Rullier, 150 Objets pour couper, 1989
Ce qui reste, 21/03/2025-21/09/2025, Musée Paul-Dini, Musée municipal de Villefranche-sur-Saône, France
The Paul-Dini municipal museum is continuing its collaboration with local players by joining the ‘hors les murs’ programme of the Campagne Première festival, which since 2018 has been facilitating access to contemporary art in rural areas and highlighting local heritage.
In summer 2024, the festival's exhibition D'aussi loin que je me souvienne looked at the persistence of manual gestures and agricultural know-how. The exhibition Ce qui reste highlights the question of heritage, rootedness and transmission. Using a variety of media and looking at the transformation of our traditional practices and skills, and the evolution of our landscapes and lifestyles, the artists here bear witness to the richness and dynamism of these influences from the past, as expressed in contemporary art.
This exhibition is like plunging into an open book of multiple ‘territorial narratives’. Never stuck in frozen memories, the artists ask us about the links that we retain and that persist in our collective memory. We discover works at the crossroads of worlds, living archives of our times, like new witnesses to the time that remains, by those who remain.
The Paul-Dini municipal museum is continuing its collaboration with local players by joining the ‘hors les murs’ programme of the Campagne Première festival, which since 2018 has been facilitating access to contemporary art in rural areas and highlighting local heritage.
In summer 2024, the festival's exhibition D'aussi loin que je me souvienne looked at the persistence of manual gestures and agricultural know-how. The exhibition Ce qui reste highlights the question of heritage, rootedness and transmission. Using a variety of media and looking at the transformation of our traditional practices and skills, and the evolution of our landscapes and lifestyles, the artists here bear witness to the richness and dynamism of these influences from the past, as expressed in contemporary art.
This exhibition is like plunging into an open book of multiple ‘territorial narratives’. Never stuck in frozen memories, the artists ask us about the links that we retain and that persist in our collective memory. We discover works at the crossroads of worlds, living archives of our times, like new witnesses to the time that remains, by those who remain.
