Daniel Otero Torres maintains certain ambiguities between drawing and volume, drawing and photography, original and copy, viewer and object: amalgamation is consistently central to his approach. As the starting point of his work, a digital photographic image is composed, before being meticulously reinterpreted in pencil. For the GAC, Daniel Otero Torres presents a complete set of graphic and sculptural artworks, affirming the idea of the illusion and of the oscillation between power, fragility, and confrontations.
Né en 1985 à Bogota (Colombie), vit et travaille à Paris
Diplômé de l’école nationale supérieure des beaux-arts de Lyon en 2010.